LiVe

Selected Appearances

Date	Event	Venue / Context
October 7, 2016	Reading from the novela Irrelevant Men	Gambazine
September 24, 2016	Support appearance with Berkeley Books of Paris	Berkeley Books of Paris
May 2014	Street poetry	Istanbul, Türkiye
April 14, 2014	Featured poet	Spoken Word Paris
February 16, 2012	AMBER HYMNS Auditory Experience	Happy Time, East Village

Performance Notes

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The live performance practice of this artist unfolds as an immersive hybrid of spoken word, free-form vocal improvisation, and glitch-inflected audio layering. Each set is constructed spontaneously, drawing from prepared texts, field recordings, and on-site sonic material to create a unique auditory experience. This approach resists fixed arrangements, embracing instead the unpredictable energy of the moment. The result is a shifting soundscape where language dissolves into texture and meaning hovers between clarity and abstraction. Audiences encounter not a rehearsed show but an evolving composition, shaped by the room, the hour, and the artist's intuitive responses to the environment around them.

Dysphoria and the poetics of othering emerge as central themes across the artist's body of work. These concepts are explored not only through lyrical content but through the very structure of the performances themselves. By fragmenting narrative and unsettling expectations, the work mirrors the experience of existing between categories, identities, and states of being. The term othering is reclaimed as a creative position, a vantage point from which to critique and reimagine belonging. Bullets of language, sharp and disorienting, are fired into comfortable assumptions, leaving space for new configurations of self and society to take root.

The sonic palette draws heavily from dreampop and experimental traditions, blending hazy textures with sharp, disruptive elements. Field recordings, glitch artifacts, and vocal manipulations sit alongside more melodic passages, creating a layered listening experience that rewards close attention. This is music that breathes and fractures, never settling into predictable patterns. The artist's background in poetry informs every decision, treating the voice as an instrument capable of both precise articulation and abstract gesture. Collaborations with other experimental musicians further expand this territory, introducing new textures and approaches with each project.

Live appearances have taken place across a range of venues and contexts, from intimate reading rooms to festival stages and international locations. Street poetry in Istanbul, featured readings at spoken word events in Paris, and auditory experiences in East Village spaces all form part of a growing performance history. These appearances are often support slots alongside other artists or part of curated programs focused on experimental literature and sound. Each venue brings its own character, influencing the material selected and the energy of the set. The artist adapts to these spaces, allowing the architecture and audience to shape what unfolds.

The practice extends beyond performance into the realm of glitch art and multimedia exploration. Visual elements accompany the audio work, incorporating distorted imagery, collage aesthetics, and digital artifacts that echo the fractured quality of the sound. This cross-disciplinary approach treats the album format as one node in a larger network of creative output. Bandcamp releases, radio sessions, and collaborative projects with labels like Connaissance des Temps and others document an ongoing inquiry into the boundaries of genre and medium. The work refuses to be contained by any single form, spilling across boundaries with deliberate, artistic intent.